{"id":468,"date":"2015-05-11T09:16:12","date_gmt":"2015-05-11T09:16:12","guid":{"rendered":"http:\/\/gabrieldiazamunarriz.com\/?p=468"},"modified":"2025-04-21T06:08:44","modified_gmt":"2025-04-21T06:08:44","slug":"el-aliento-de-chomolugma-2005","status":"publish","type":"post","link":"https:\/\/gabrieldiazamunarriz.com\/index.php\/2015\/05\/11\/el-aliento-de-chomolugma-2005\/","title":{"rendered":"\u00abEl Aliento de Chomolugma\u00bb, 2005"},"content":{"rendered":"<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/127147533\" width=\"500\" height=\"275\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><\/br><br \/>\n&nbsp;<\/p>\n<p style=\"text-align: center;\"><span style=\"color: #808080;\">V\u00eddeo-Instalaci\u00f3n 4 canales HD 16 x 9 V, Duraci\u00f3n: 9&#8242; 22\u00bb loop<\/span><\/p>\n<p><\/br><\/p>\n<p style=\"text-align: center;\"><span style=\"color: #808080;\"> Monte Everest, T\u00edbet.<\/span><\/p>\n<p><\/br><br \/>\n&nbsp;<\/p>\n<p class=\"textos\">Esta instalaci\u00f3n videogr\u00e1fica de cuatro pantallas del artista espa\u00f1ol Gabriel D\u00edaz\u00a0ofrece una visi\u00f3n fragmentada pero hipn\u00f3tica, y enormemente l\u00edrica, de la hoy\u00a0continuamente conquistada, pero no por ello menos ic\u00f3nica y vedada, del Everest.\u00a0Cuatro c\u00e1maras fijas registran por partes la monta\u00f1a durante las\u00a0diversas horas del\u00a0d\u00eda grabando con sutileza los cambios atmosf\u00e9ricos y\u00a0las\u00a0fluctuaciones de la luz.\u00a0Un uso sencillo, aunque elegante, del transcurrir del\u00a0tiempo en las im\u00e1genes que\u00a0resulta a la vez num\u00ednico y perturbador, con\u00a0el paso on\u00edrico de la luz restituyendo\u00a0una suerte de hito que, aunque\u00a0representado hasta la saciedad, contin\u00faa\u00a0conservando toda su majestad.<\/p>\n<p class=\"textosEN\">This four-screen video installation by Spanish artist Gabriel D\u00edaz offers a fragmented\u00a0but hypnotic an higly lyrical view of the now routinely conquered but still iconic\u00a0and forbidding peak of Mount Everest. Four fixed cameras record subtly different\u00a0faces of the mountain, cycling through different hours of the day, and recording\u00a0changes in the weather and fluctuations of the ligth. This simple but elegant use of\u00a0time-lapse images is both numinous and haunting; the dream-like passage of light\u00a0and time restoring a kind of sacred aura to this much represented but still\u00a0imperious landmark.<\/p>\n<p class=\"textos\">Cat\u00e1logo \u00abThere is no Road\u00bb. Laboral, Gij\u00f3n.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; &nbsp; V\u00eddeo-Instalaci\u00f3n 4 canales HD 16 x 9 V, Duraci\u00f3n: 9&#8242; 22\u00bb loop Monte Everest, T\u00edbet. &nbsp; Esta instalaci\u00f3n videogr\u00e1fica de cuatro pantallas del artista espa\u00f1ol Gabriel D\u00edaz\u00a0ofrece una visi\u00f3n fragmentada pero hipn\u00f3tica, y enormemente l\u00edrica, de la hoy\u00a0continuamente conquistada, pero no por ello menos ic\u00f3nica y vedada, del Everest.\u00a0Cuatro c\u00e1maras fijas registran por [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":2436,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9],"tags":[],"class_list":["post-468","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-las-puertas-del-cielo-el-circulo-y-la-linea"],"_links":{"self":[{"href":"https:\/\/gabrieldiazamunarriz.com\/index.php\/wp-json\/wp\/v2\/posts\/468","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/gabrieldiazamunarriz.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/gabrieldiazamunarriz.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/gabrieldiazamunarriz.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/gabrieldiazamunarriz.com\/index.php\/wp-json\/wp\/v2\/comments?post=468"}],"version-history":[{"count":23,"href":"https:\/\/gabrieldiazamunarriz.com\/index.php\/wp-json\/wp\/v2\/posts\/468\/revisions"}],"predecessor-version":[{"id":4253,"href":"https:\/\/gabrieldiazamunarriz.com\/index.php\/wp-json\/wp\/v2\/posts\/468\/revisions\/4253"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/gabrieldiazamunarriz.com\/index.php\/wp-json\/wp\/v2\/media\/2436"}],"wp:attachment":[{"href":"https:\/\/gabrieldiazamunarriz.com\/index.php\/wp-json\/wp\/v2\/media?parent=468"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/gabrieldiazamunarriz.com\/index.php\/wp-json\/wp\/v2\/categories?post=468"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/gabrieldiazamunarriz.com\/index.php\/wp-json\/wp\/v2\/tags?post=468"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}