{"id":105,"date":"2015-05-10T06:20:01","date_gmt":"2015-05-10T06:20:01","guid":{"rendered":"http:\/\/gabrieldiazamunarriz.com\/?p=105"},"modified":"2025-04-21T06:08:44","modified_gmt":"2025-04-21T06:08:44","slug":"genetica-de-particulas-1998","status":"publish","type":"post","link":"http:\/\/gabrieldiazamunarriz.com\/index.php\/2015\/05\/10\/genetica-de-particulas-1998\/","title":{"rendered":"GEN\u00c9TICA DE PART\u00cdCULAS, 1998"},"content":{"rendered":"

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\"Gabriel_Diaz-1998-instalaci\u00f3n-Genetica_de_particulas-proceso_1\"\u00a0 \"Gabriel_Diaz-1998-instalaci\u00f3n-Genetica_de_particulas-proceso_2\"\u00a0\"Gabriel_Diaz-1998-instalaci\u00f3n-Genetica_de_particulas-proceso_3\"\u00a0\"Gabriel_Diaz-1998-instalaci\u00f3n-Genetica_de_particulas-proceso_4\"\u00a0\"Gabriel_Diaz-1998-instalaci\u00f3n-Genetica_de_particulas-proceso_5\"<\/p>\n

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\"Gabriel_Diaz-1998-instalaci\u00f3n-Genetica_de_particulas-proceso_6\" \"Gabriel_Diaz-1998-instalaci\u00f3n-Genetica_de_particulas-proceso_7\" \"Gabriel_Diaz-1998-instalaci\u00f3n-Genetica_de_particulas-proceso_8\" \"Gabriel_Diaz-1998-instalaci\u00f3n-Genetica_de_particulas-proceso_9\" \"Gabriel_Diaz-1998-instalaci\u00f3n-Genetica_de_particulas-proceso_10\"<\/p>\n

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\"Gabriel_Diaz-1998-instalaci\u00f3n-Genetica_de_particulas-detalle2\"\u00a0 \"Gabriel_Diaz-1998-instalaci\u00f3n-Genetica_de_particulas-detalle3\"<\/p>\n

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\"Gabriel_Diaz-1998-instalaci\u00f3n-Genetica_de_particulas-Sala_2\"\u00a0\u00a0\"Gabriel_Diaz-1998-instalaci\u00f3n-Genetica_de_particulas-Sala-P\"<\/p>\n

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15 paneles ploteados\u00a082,5 x 202 cm cada panel<\/span><\/p>\n

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Quiz\u00e1s sea la obra Gen\u00e9tica de Part\u00edculas (1998)<\/em>, un gran pol\u00edptico constitu\u00eddo por quince paneles ploteados, una de las piezas m\u00e1s fascinantes de Gabriel D\u00edaz. La densidad desigual de su malla se crea por el cruce de grandes c\u00edrculos elaborados a trav\u00e9s de un ordenador. El autor ha escrito de su obra que en este lugar \u00ablo p\u00e9treo se desmiga\u00bb. Poco a poco, conforme avanzamos, se abre a nuestra mirada. \u00a0La piedra, la materia, el peso, han quedado atr\u00e1s. (…) \u00a0Esta obra tambi\u00e9n reclama una percepci\u00f3n m\u00f3vil para fijar nuestra atenci\u00f3n en la trama, bien en la composici\u00f3n general ritmada de vac\u00edos y l\u00edneas enredadas o bien en el detalle en el que respira una vibraci\u00f3n misteriosa.<\/p>\n

Perhaps the work Gen\u00e9tica de Part\u00edculas (1998)<\/em>, a large polyptych made up of fiffeen plotted panels, is one of Gabriel D\u00edaz’s most fascinating pieces. The uneven density of its weave is created by the overlap of large circles drawn by computer. The author has written with regard to this work that \u00abin this piace all that is stone crumbles away\u00bb. Little by little, as we advance, it opens up to our vision. (…) \u00a0Gen\u00e9tica de Part\u00edculas<\/em> also demands a mobile perception to fix our gaze first on the weave, now on the overall composition with its rhythm of entangled lines and spaces, then on the detail in which breathes a mysterious vibration.<\/p>\n

Fernando Golvano. Cat\u00e1logo para la Exposici\u00f3n \u00abLa Catedral del Hielo\u00bb 1999<\/p>\n

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Exposici\u00f3n La Catedral de Hielo 1999<\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

  \u00a0 \u00a0\u00a0\u00a0         \u00a0       \u00a0\u00a0   15 paneles ploteados\u00a082,5 x 202 cm cada panel       Quiz\u00e1s sea la obra Gen\u00e9tica de Part\u00edculas (1998), un gran pol\u00edptico constitu\u00eddo por quince paneles ploteados, una de las piezas m\u00e1s fascinantes de Gabriel D\u00edaz. La densidad desigual de su malla […]<\/p>\n","protected":false},"author":1,"featured_media":3269,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-105","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-escultura"],"_links":{"self":[{"href":"http:\/\/gabrieldiazamunarriz.com\/index.php\/wp-json\/wp\/v2\/posts\/105","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/gabrieldiazamunarriz.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/gabrieldiazamunarriz.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/gabrieldiazamunarriz.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/gabrieldiazamunarriz.com\/index.php\/wp-json\/wp\/v2\/comments?post=105"}],"version-history":[{"count":43,"href":"http:\/\/gabrieldiazamunarriz.com\/index.php\/wp-json\/wp\/v2\/posts\/105\/revisions"}],"predecessor-version":[{"id":4705,"href":"http:\/\/gabrieldiazamunarriz.com\/index.php\/wp-json\/wp\/v2\/posts\/105\/revisions\/4705"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/gabrieldiazamunarriz.com\/index.php\/wp-json\/wp\/v2\/media\/3269"}],"wp:attachment":[{"href":"http:\/\/gabrieldiazamunarriz.com\/index.php\/wp-json\/wp\/v2\/media?parent=105"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/gabrieldiazamunarriz.com\/index.php\/wp-json\/wp\/v2\/categories?post=105"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/gabrieldiazamunarriz.com\/index.php\/wp-json\/wp\/v2\/tags?post=105"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}